Once you get used to the mode dial, it’s no problem and cameras like the Canon EOS R opt for a similar set-up. There’s a joystick too which is a huge asset for any mirrorless camera, however it’s abit of a stretch and smaller hands will struggle. The dedicated menu systems for either video or stills is a boon as you can toggle between the two without having to tweak the settings, it’s a huge time-saver. The LCD touchscreen is big, bright and easy to operate, but many will be disappointed that it’s fixed to the camera, leaving you with very little flexibility. You’ll find a top plate too which displays useful camera settings and is visible at all viewing angles.The OLED electronic viewfinder is a real treat and the inviting circular rubber eyecup marks a friendly contrast to the front body.

There’s a diopter correction dial too whichis reasonably stiff so it’s difficult to knock it out of whack by accident. With magnification of 0.78x and the 5.76 million-dot resolution, it’s one of the best EVF we’ve used and tantamount to looking through an optical viewfinder. Throw in a 3.5mm mic socket, HDMI port and USB type-C port for charging, plus twoSD card slots and that’s a pretty well-specced, albeit massive mirrorless camera.Īt the heart of this beast is a backside-illuminated 24MP sensor, as opposed to the 47.3MP sensor found in the SL2. This allows for more speed and we like speed.Ĭapture up to 25 frames per second with its electronic shutter and the newly-designed backside-illuminated sensor, which is a first for Leica, makes for improved low-light performance. Shooting DNGs, the SL2-S features in-body stabilization up to 5.5 stops and if you’re put off by the lesser resolution, in multi-shot mode it’s able to capture 96MP stills. General shooting was a joy at all times of day, with really natural colour reproduction,excellent detail and the viewfinder is exceptional. Dynamic range impresses too, but getting to grips with the blank dials was a learning curve and at times frustrating.įocusing was a touch troublesome too, owing to the awkward Leica focusing system, which isn’t as effective as the phase detection autofocus we know and love from companies like Fujifilm. It’s fine for still images and locks onto the subject quickly, but things get trickier if the subject is moving. Drop down to 6fps to get continuous focus which is fine with a tripod and with the right light, but not so versatile.Įye and face tracking see a big improvement with the latest firmware update.

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